This remarkable conversation feels like it could only ever have taken place inside The African Imaginary. Such is the power of Malian artist Fatoumata Diawara, a visionary voice on the African music scene. The day after headlining the Cape Town International Jazz Festival, she talks with host Khangi Khoza about what it means to see your craziness as a gift, breaking taboos, transcending on stage, designing guitars and sewing costumes.
Fatoumata Diawara is a multi-faceted artist from Mali, known for her ability to cross Malian rhythms with contemporary sounds. She has collaborated with music giants like Damon Albarn and Herbie Hancock, she has been nominated for a Grammy, and in 2026 she became the first black woman with a Gibson signature guitar in her name.
Born in Ivory Coast, one of eleven children, Fatou grew up dancing in the streets before cinema found her. She took two films to Cannes playing characters her directors described as mad. “It wasn’t acting,” she says. “For me, it was normal.” At 19 she fled a forced marriage, taught herself guitar, and began playing her own songs in Parisian bars. Her debut album Fatou dropped in 2011. In 2013, with her country at war, she gathered forty Malian artists to record Maliko, an anthem that still airs on Malian radio whenever tensions rise. The album ‘Fenfo’ (Something to Say) followed in 2018, establishing her as a genre-transcending musician, blending with ease afrobeat, jazz electro, pop and rock. Her new album MASSA drops on 5 June and explores the balance between her life as an artist and her role as a mother and activist. Always singing in Bambara, Fatoumata says, “I don’t want people to understand what I’m saying, I want people to feel me.”
